to tell me what the subject was or what the setting would be, I would choose a 50mm prime lens. Specifically, the 50mm f/1.4. Here are the reasons why...
- It's reasonably priced. For around $350 it's a little more expensive and more sturdy than the 50mm f/1.8 ($119) and significantly less expensive than the 50mm f/1.2 ($1,619). The while the f/1.8 if Canon's lightest lens, it also (to me) feels like it's cheapest. The f/1.2 is "L" glass and the lens is solid, but it is a bit heavy. The f/1.4...it's juuuust right said Goldilocks, and it's at a good price point. If something happens to it and it's out of warranty it's not too terribly expensive to replace.
- It's a good focal length that doesn't require a lot of moving back and forth to frame the picture. Granted, in tight quarters things can get tough, but that generally doesn't happen. You may be thinking that the 24 - 70mm f/2.8 may be more versatile, and I would agree in certain instances, but in this situation I have no idea what lighting is going to be like and I want a lens that will perform better than the 24 - 70mm in low light.
- It's lightweight. Carrying a camera body with battery grip, speedlight, and a lens attached can get heavy, especially if it's the 24 - 70 f/2.8 or the 70 - 200mm f/2.8. This lens is so light compared to those lenses.
- It's versatile. You can take great action shots in low or bright light. Have you ever seen a sign that says "No flash photography?" With this lens you can laugh at those signs! With a max aperture setting of f/1.4, I can pull of some astounding bokeh effects in camera without having to edit a thing. Sometimes the pictures have almost a 3D look to them. One caveat...taking a picture of people can get very trick lower than f/2.2 as you can focus on their nose and their eyes will be blurry. Be careful there.
- It's small. It's easy to add to almost any camera bag. It can even fit comfortable into the side pocket of cargo shorts or pants!
No flash, low light 50mm |
No flash, low light, action 50mm |
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